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1950年初，地处大西南的锦江市周边郊县仍有许多国民党遗留下来的土匪武装。肖万是个土生土长的锦江人，父母双亡的他靠每天赶溜溜场卖叮叮糖度日，肖万性格诙谐幽默，既爱吹牛皮说大话，又胆小怕事遇到危险就缩头，既有小市民的市侩狡猾和自私，但在大是大非面前却又不失良善本性，他不是英雄，也从来没想过要当英雄。一次偶然，肖万被卷入到一场剿匪事件中，阴错阳差同时为共产党和国民党开始传递情报，为此还 “将错就错”娶了国民党女军官梅虹。在经历了各种事件之后，俩人渐渐对革命、对信仰的认识渐渐发生了翻天覆地的变化，肖万成长为一个有信念、有理想的人，梅虹也从国民党队伍中脱离出来，加入了真正的革命队伍，俩人开始了新生活。。故事是关于一个厨师，他有着一项高超的烹饪技能，那就是能使每个食客能对他的烹调有感觉。 由于与一位年轻美丽的女侍者产生了友谊，这位美食家决定开始制作一系列的菜肴，希望以此能改变她的生活。这是一部以菜肴为主线，包含了浪漫等诸多因素的唯美类型的电影。 这部影片给德国带来了巨大的影响并在荷兰鹿特丹国际电影节上获奖。。Herbert Vesely was one of the promises for a new German cinema already in the 50's, but after the 60's his star was already dimmed. He made a small number of films in the 70's and 80's, all non too good. This biography of Egon Schiele, one of the most important Austrian artists, is an example of the pretensions and emptiness of a Vesely-film of later date. The life of Schiele is presented here as a puzzle| well, Vesely thinks that Schiele's life was a puzzle: the core of the story is centered around the famous 1912 pornography trial and using this as base the film shows fragments of past and future. The problem is that it never becomes a unity and that the order of scenes and sequences seems to be at random: a cut-and-paste job that could have had any other result. Indeed, after seeing it twice I am almost convinced of it that a unsatisfactory linear thought-out film was changed into the puzzle in the editing room. Egon Schiele was an enigmatic man, but not a total puzzle, and this film does not bring him any closer. The films also fails in conveying the eroticism and meaning of the Schiele's paintings: the camera watches and glides over the models without any understanding of Schiele's intentions, we only see beautiful naked bodies. If interested in Schiele, you better buy a book with his works in stead.。