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The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。教育培养好下一代是中国家长、学校的期望和目标。面对全球化激烈竞争的环境，学生、家长、学校不可避免的加入了。京城名校育慧中学与IT业巨头英凯公司共同开办初三理科班。为了能把孩子送进名校这两个班，学生家长们各显神通……复试的当天，育慧中学门外发生一起车祸，学生林磊被撞倒在路边。开学后，那些靠关系挤进来的学生不是刁难老师，就是欺负贫困生，典型的高分低能，十三岁了还花钱请服务员帮着洗澡。班主任张一白想进行整治，学校却迫于家长的压力给了他一个处分。英凯人力资源总监沃伦发现了理科班的种种问题，痛心地解除合同放弃了出资合作建立人才库的目标。失去了赞助的理科班怎么办下去？一所著名中学在成立理科班过种中出现的困难波折深刻反映了当前独生子女教育乃至整个中国式家庭、学校、社会三方面教育中的问题。。