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Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bi...。The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。阿回出生成长在旺角,自幼生活在黑社会老大兴叔的庇护之下,对社团里的腥风血雨早已经习以为常。大东和阿回身在同一个社团,他非常嫉妒阿回受到兴叔的赏识,处处要和他争一个高下。阿回对社团里的明争暗斗倍感厌倦,早就想离开这片是非之地。 一次偶然中,阿回遇见了名为阿月的女子。阿月的身世和阿回非常的像,身患绝症的她对未来失去了希望,浑浑噩噩度日。在阿回的帮助下,阿月渐渐找到了人生的意义,她和阿回之间也产生了真挚的感情。阿凤是帮派马仔,他被阿月的豁达深深吸引,却也知道阿月早已经心有所属。。