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视频简介

The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。珍园（高素荣饰）有过一段非常晦暗的童年，因此格外渴望成为一名母亲来弥补自己童年时代缺失的母爱。然而，和石润（李成宰饰）结婚很多年的珍园肚子却依旧没有任何动静，这让石润感到非常的心疼。终于，珍园怀孕了，这个意料之外的孩子带给了夫妻两人极大的喜悦和幸福，他们给这个孩子取名为润珍。 然而，就在孩子即将诞生之际，医生告诉珍园和石润，这个孩子患有一种非常罕见的疾病，只能够在世界上存活一天，但是这个只能活一天的孩子，却能够拯救其他很多孩子的性命。忍着绝望和悲痛，珍园选择生下润珍。。