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视频简介

Eburi is a 36 year-old man. Nothing enthuses him any more. While being drunk, he promises to contribute a story to a magazine. When he sobers down, he decides to write about the life of a salaried employee like himself who is very ordinary, not particularly talented. The following is his story: In 1949, Eburi gets married to Natsuko. His monthly salary is 8,000 yen and hers 4,000 yen. Therefore, both have to work to support themselves. Eburi has developed a habituIl tendency to pester around when he gets drunk. One year after their marriage, son Shosuke is born. In 1959, Eburi's mother dies in despair of her husband who has become listless due to the several ups and downs of gaining big profits and going bankrupt. His father is still alive and Eburi is enable to find a way to pay his father's debts. He is doubtful if he can make his wife and child happy. Nevertheless, he has somehow managed to survive so far, living in one of the houses at the employee housing quarters. He gives the title "The Elegant Life of Mr. Everyman" to his story of half novel and half essay style. When it is published, it receives the Naoki Literary Prize (the award given in memory of popular writer Naoki Sanjugo). At a party to celebrate his award, he gets drunk and pesters around. Notes The film is based on a novel written in the style of an essay under the same title by Yamaguchi Hitomi, depicting everyday life of a man categorized as "During-the-war Generation" who spent school days during the war and get married to start new life in the struggling post-war era. "Everyman" in the title means an average salaried employee who makes up an overwhelming majority of the city population in Japan, and "The Elegant Life" indicates sarcasm on betterment of the standard of living of ordinary salaried employees accompanied with Japan's economic growth after only a decade from the destroyed post-war period. As depicted in the film, the author Yamaguchi Hitomi was awarded the Naoki Literature Prize for this story. When he established himself well enough to become independent, he quit working as a salaried employee. Director Okamoto Kihachi and the leading actor Kobayashi Keiju belong to the same generation as the author. Exploiting innovative effects such as inserting animation sequences, the film humorously presents compassion of a middle-aged salaried employee. Kobayashi Keiju, who was originally noted for his excellent portrayal of salaried employee, won the best leading actor award of the Mainichi Film Contest for his superb performance in this picture.。相貌平平，学习平平的吴沛柔无法得到心仪男生之青睐，在校园独走非常失落，心情不好的她在大树下捡起一个糖人，当她欲吃糖人的时候，糖人化为一个白胡子老爷爷连连告饶，沛柔要求他把自己变化为星爷电影中的女主角美人鱼，烟雾闪过，沛柔幻想自己已经成名，眼睛睁开却发现自己躺在大海中变成了一条真正的美人鱼，绝望的大叫之后，天性乐观的她幻想有一位王子可以解救自己，不想一条大网从天而降把她捉走。 白骨洞里，白骨姐姐因为被捉妖师贾英俊打伤而余恨难平，发誓和英俊势不两立，熊老大来报，熊老二捉回了一条美人鱼（吴沛柔），白骨贪婪的喝着美人鱼的血液，沛柔疼醒，看到白骨大惊跑向洞口逃命，熊老二把沛柔狠狠按在地上用力狂磕，一番挣扎，沛柔失去了记忆，白骨计上心来，要沛柔化名亭亭和熊老大变化的玉立去迷惑英俊，以达到毁坏他纯阳之身的目的。 亭亭的疯疯癫癫让英俊避之不及，亭亭非常痛苦却勇敢追夫，一次，亭亭经过寺庙进去恭敬礼拜，神奇的变美，白骨效仿却发现自己变丑，白骨通过魔网看到英俊迷恋女色，于是在月圆之夜前来报仇，英俊武艺高强，无奈分身乏术，熊老二趁机攻向贾母，英俊救母心切大意轻敌，白骨趁机把手中的白骨钉抛向英俊后背，亭亭虽然害怕，依然奋不顾身替英俊挡下。 心有善念和对佛菩萨的虔诚终于让亭亭变化美丽，同时也赢得了英俊的倾心，俩人结婚，洞房花烛夜之后，亭亭发现英俊居然不省人事……。